Topaz
November's Birthstone
Topaz
Information
CHEMISTRY Al2SiO4(F,OH)2 + Cr
CRYSTALLOGRAPHY Orthorhombic
REFRACTIVE INDEX 1.607 - 1.627
HARDNESS 8
SPECIFIC GRAVITY 3.53 - 3.56
CLEAVAGE Perfect one direction
HEAT SENSITIVE No
CRYSTALLOGRAPHY Orthorhombic
REFRACTIVE INDEX 1.607 - 1.627
HARDNESS 8
SPECIFIC GRAVITY 3.53 - 3.56
CLEAVAGE Perfect one direction
HEAT SENSITIVE No
WEARABILITY* Very Good
SPECIAL CARE INSTRUCTIONS None
SPECIAL CARE INSTRUCTIONS None
ENHANCEMENTS Pink or Red, may be heat treated. Most blue topaz has been
irradiated and heat treated.
*Wearability is graded as Excellent, Very Good, Good, Poor, and Forget
It!
For more details see the article on "Hardness and Wearability."
For more details see the article on "Hardness and Wearability."
PRECIOUS TOPAZ
In using
the term "precious topaz", I'm referring to stones of a rich yellow
to a medium peachy orange color. In the future I'll cover Imperial Topaz which,
to my way of thinking, is in a separate category of only those stones with very
saturated reddish orange color. There will also be a later section on other
topazes, such as pinks, browns and colorless stones.
The term "precious" topaz was originally used to distinguish yellow and orangish topaz from other gems such as some citrines and smoky quartzes which had erroneously been referred to in the past as "Maderia topaz' and "smoky topaz". The confusion derives from the Brazilian word "topazio" which means yellow and was used generically by miners. Most precious topaz still comes from Brazil.
Topaz of any type is a good jewelry stone and it is historically one of the most important gemstones. With its relatively high refractive index and hardness of 8, with no special sensitivity to chemicals it can be used, with appropriate care, in any jewelry application. Although perfect cleavage does present a caution, this is mostly solved in the cutting stage --cutters generally orient the table of the stone 5 -10% off the cleavage plane which results in a pretty stable stone during cutting and wearing. All that is necessary is to protect the gem from hard knocks and to avoid steamers and ultrasonics in cleaning.
The subject of enhancement in the topaz family is a complicated one, but for the most part, except for colorless stones, it is prudent to assume that some form of heat and/or irradiation has been used on stones prior to cutting. The color of precious topaz is generally heat and light stable; unlike some natural and enhanced types of brown topaz which can fade dramatically in strong light. In my opinion, when you have a stone that has that good precious topaz color, there is no chance that it will be mistaken for a citrine, a yellow sapphire, or any other gem-- the color is so distinctive!
The term "precious" topaz was originally used to distinguish yellow and orangish topaz from other gems such as some citrines and smoky quartzes which had erroneously been referred to in the past as "Maderia topaz' and "smoky topaz". The confusion derives from the Brazilian word "topazio" which means yellow and was used generically by miners. Most precious topaz still comes from Brazil.
Topaz of any type is a good jewelry stone and it is historically one of the most important gemstones. With its relatively high refractive index and hardness of 8, with no special sensitivity to chemicals it can be used, with appropriate care, in any jewelry application. Although perfect cleavage does present a caution, this is mostly solved in the cutting stage --cutters generally orient the table of the stone 5 -10% off the cleavage plane which results in a pretty stable stone during cutting and wearing. All that is necessary is to protect the gem from hard knocks and to avoid steamers and ultrasonics in cleaning.
The subject of enhancement in the topaz family is a complicated one, but for the most part, except for colorless stones, it is prudent to assume that some form of heat and/or irradiation has been used on stones prior to cutting. The color of precious topaz is generally heat and light stable; unlike some natural and enhanced types of brown topaz which can fade dramatically in strong light. In my opinion, when you have a stone that has that good precious topaz color, there is no chance that it will be mistaken for a citrine, a yellow sapphire, or any other gem-- the color is so distinctive!
Value
The hue and
saturation of color is the primary determiner of value in this variety, in
general the more pink or red mixed in with the yellow or orange the higher the
value. Most precious topaz is native cut in Brazil, so custom cuts are strong
value enhancers.
Size comes at a premium in all the topazes except blue and colorless. There's an exponential jump in value in stones larger than 5 carats and again for stones larger than 10 carats.
Size comes at a premium in all the topazes except blue and colorless. There's an exponential jump in value in stones larger than 5 carats and again for stones larger than 10 carats.
Blue
Topaz
Blue topaz
begins "life" as colorless or very lightly tinted natural topaz
crystals which are then irradiated to change the color to blue and heated to
stabilize the change. Neutron bombardment in a nuclear reactor produces the
deep slightly greenish or grayish London Blue, while electron bombardment in a
linear accelerator results in the light aqua-like blue known as sky blue.
Combinations of both treatments produce the highly saturated Swiss and electric
blues. If neutron bombardment has been used, there is residual radioactivity,
and the gems must be held, up to a year, before they have "cooled"
enough to be worn.
The modest value of most blue topaz creates little incentive in the market for synthetic blue topaz, although it has long been simulated by synthetic spinel. More lucrative and popular are the various vapor deposition or diffusion coatings that create "mystic topaz" and teal, red and sea green colors. Such stones are attractive but the treatment is not permanent. With their extremely thin coating they must be handled very gently as any scratch or abrasion can mar the surface layer.
Whatever the color, topaz has some wonderful gem qualities due to its high refractive index and its ability to take a fabulous polish. The fact that the rough is available at moderate prices in rather large, clean pieces means that many cutters choose this gem for their fancy or non-traditional cuts. At hardness 8 topaz makes a good gem for occasional wear rings, pendants, earrings or brooches.
The modest value of most blue topaz creates little incentive in the market for synthetic blue topaz, although it has long been simulated by synthetic spinel. More lucrative and popular are the various vapor deposition or diffusion coatings that create "mystic topaz" and teal, red and sea green colors. Such stones are attractive but the treatment is not permanent. With their extremely thin coating they must be handled very gently as any scratch or abrasion can mar the surface layer.
Whatever the color, topaz has some wonderful gem qualities due to its high refractive index and its ability to take a fabulous polish. The fact that the rough is available at moderate prices in rather large, clean pieces means that many cutters choose this gem for their fancy or non-traditional cuts. At hardness 8 topaz makes a good gem for occasional wear rings, pendants, earrings or brooches.
Value
In general,
blue topaz is modestly priced, although, due to recent shortages, the London
blue color has outstripped the others in value. The shortage is due to poor
economics: reactor time is expensive and there are more profitable gems which
can be treated without the need for such an extensive holding period.
There is no special premium for larger stones. In this variety clarity is routinely expected, so included pieces should be extremely inexpensive. Cut often adds as much or more value to the piece than the material itself. Spectacular cuts and carvings are available at generally reasonable prices.
There is no special premium for larger stones. In this variety clarity is routinely expected, so included pieces should be extremely inexpensive. Cut often adds as much or more value to the piece than the material itself. Spectacular cuts and carvings are available at generally reasonable prices.
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